Raymond Chandler - The Little Sister

The Little Sister is not one of Raymond Chandlers better known novels. It is however one of the classic Phillip Marlowe novels and has all the hall marks of the better known stories like "The Long Goodbye" and "The Lady in the Lake".

It begins with Marlowe, bored in his office, chasing the flies that are annoying him. His boredom is disturbed when the oddly named Orfamy Quest visits, looking for a private detective to help her find her missing brother. Orfamy comes from a tiny town in Kansas and holds all the prejudices that you might imagine for someone visiting the big city, with all its vices, for the first time.

The plot itself matters little - Chandler's novels should be read for their atmosphere and description, rather than the complex tales of intrigue and betrayal. This is the sort of story that you just join up to for the ride. On this trip, we follow Marlowe as he meets sex-starved movie starlets, murder victims with ice-picks in their necks and corrupt policemen, as well as nasty gangsters. In some ways, all the cliches are here, in others it's a fabulous example of the detective genre.

Chandler is an amazing writer, whose cynicism towards the inhabitants of the big city will bring many a dry smile to the modern reader. Worth digging this one out from the library.

Graham Greene – Brighton Rock

The classic story of the low level gangster trying to break through into the big time has been told many times. Rarely though, has it been told with such a biting cynicism for the human condition. Nor has it been related with such a bleak outlook on a whole town.

The Brighton of the 1930s, so well described in Graham Greene’s classic novel, is a city slowly being swamped by the dreams of those who visit. From the London Day Trippers we meant in the opening chapter – desperately seeking respite from the big city and their dull, boring lives, searching for alcohol, entertainment and love – to those who circle around the visitors on race-day, hoping to make a few pounds to keep their own heads above water, these are by and large a people without hope, with repetitive lives, whose only hope of something better is a lucky break.

The novel has a lot of luck in it – Hale, the unlucky, doomed victim we meet in the opening paragraphs of the book, makes a living from leaving messages in public places on behalf of his newspaper. If he is challenged, his finder wins a prize, as do those who find his message cards. His editor likes him to be found, but occasionally go undiscovered, to save on a few pounds. Sadly, Hales pride in his ability to o the job properly doesn’t allow him to escape his own luck and destiny. He knows, as the opening lines put it, “that they meant to murder him”.

The killers – a small time Brighton mob outfit – have their own dealings with luck. A few coincidences and their ability to get away with the crime will fall apart. Instead, their leader, Pinkie, has to pile crime upon crime, upon murder in a desperate attempt to escape the law. Of course, his own self-belief, means that those around him suffer, and more and more innocents are pulled into this growing circle of bad luck, until the only hope in this ever darker story is a single woman, who herself only met Hale through chance, refusing to belief the official story of his death.

The tragedy of the story is not the individual crimes. Pinkies’ self belief loads the stakes so high that few can escape the final collapse of his plans. The innocent girl he drags into the mess as the story continues escapes almost totally from what has happened. Indeed the reader is led to believe that she has actually, unlike almost everyone else in Greene’s Brighton broken free of the restraints upon her, restraints imposed by class, family and poverty.

The final lines then, “the worst horror of all” aren’t then about her personal pain, nor those of all the victims along the way- it is the crushing of her dreams and the realisation that there is no hope at all, something few of us could really survive.

Tony Cliff - Trotsky; Towards October 1879 - 1917

This first volume of Tony Cliff's biography of Leon Trotsky is a compelling read. Unfortunately, it isn't the best introduction to the politics and ideas of Trotsky - reading it requires a certain knowledge of events leading up to the Russian Revolution of October 1917. That said, it doesn't require the deepest historical understanding - with this work Tony Cliff was trying to reassert the importance of Leon Trotsky's ideas to a new audience.

You cannot however understand Trotsky without knowing a great deal about Lenin. This might at first seem strange - the two revolutionaries had a political falling out early on in their careers - over a seemingly trivial decision about the nature of the socialist organisation they were trying to create. During this period (Trotsky called them his "wasted years") the two men, who were to go on to lead the Russian Revolution, frequently exchanged polemical attacks on each others ideas and methods.

However Trotsky's brilliance was his ability to develop and understand events in Russia, he developed the theory of Permanent Revolution, which Lenin later came to support - this was the idea that even a backwards, effectively feudal country like Russia, with an underdeveloped working class could lead a working class revolution. This theory was, of course, to underpin the reality of the Russia Revolution and simultaneously to make both Lenin and Trotsky internationalists. The backward Russian working class could seize power, but without international revolution, their state would soon become isolated and distorted.

Cliff's biography comes alive when the events of 1917 are described. The 1905 revolution which Trotsky helped lead is fascinating, primarily because it shows Trotsky as a leader who can handle defence and withdrawal in the face of a stronger opposition. When Trotsky is re-elected to the leadership of the Petrograd Soviet in 1917, the balance of power rests much more on the side of the revolutionary workers and Trotsky's brilliant organising and strategising demonstrates the "art" that is insurrection.

Despite Trotsky's heroic life, this isn't a biography that hides Trotsky's failings. The writers who, as part of the International Socialist tradition, rediscovered the genuine revolutionary tradition for a new generation of socialists, were never afraid to criticise Trotsky's mistakes, in order to learn the lessons of History. In particular, Cliff repeatedly underlines the error that Trotsky made in distancing himself from Lenin's Bolshevik party. To be fair to Trotsky though, this was something that he himself wasn't afraid to acknowledge.

Shining through this volume of the work, is Trotsky's brilliance. As a polemicist, a theoretician and a writer. He is also a man of humour and emotion. But most of all he is someone who dedicated his life to making a revolution happen, defending its gains and constantly trying to organise those who had the power to change the world. Learning from his life is part of learning how we can challenge the existing system in the future.

Related Reviews

Hallas - Trotsky's Marxism
Choonara - A Rebels' Guide to Trotsky

Richard Overy - Russia's War

Despite what you learn from a childhood watching British war films, or even the potted history of the war you can pick up from The History Channel, World War II wasn't won by the British and Americans invading France - despite the importance of that conflict. Hitler's German was military defeated by enormous sacrifices from the ordinary people of the Soviet Union.

Some of these sacrifices were, to be frank, unnecessary. Joseph Stalin's supreme self confidence led him to underestimate the likelihood of an attack and the country was ill prepared. More of his decisions were suicidal for the people involved - Germany's war machine was to powerful to be even hindered by small group of lightly armed militia. However the method of fighting the war changed, and it is this transformation that is so well documented in Overy's book on the Eastern Front.

Terrified of being challenged in his position, Stalin was initially reluctant to allow the freedom of movement and imagination to his generals. This led to a monolithic response to the German invasion - one that refused to adapt to changing German tactics. In later years, Stalin was prepared to devolve much more control to his generals, and these, in particular Zhukov, proved brilliant at defeating German armies in gigantic set piece battles.

This is a short book, so it is necessarily lacking in details. But it is intended to be a sweeping history of the period, so it doesn't bring out all the terrible defeats. The 900 day siege of Leningrad is dealt with in a short chapter, as is the unbelievable ferocious conflict at Stalingrad. This isn't a problem though, it is a fascinating read - those particular battles are dealt with in great detail in other excellent works.

Overy uses the recently opened Soviet Archives to illuminate his accounts, and challenge other ideas and myths. He argues for instance, that the British and US aid sent to the USSR, was far more important in victory than has hitherto been thought.

Despite the immense victory that the people of the USSR inflicted on Nazi Germany, we shouldn't let this close our eyes to the nature of the dictatorship that led the war effort. Overy documents the torture, murder, massacre and violence at the heart of Russian society. Those of us who have long argued that Russia wasn't a socialist society will not be unaware of this, but for a generation after the war, Russia's victory was further evidence of the socialist nature of its society. That said, no one, least of all the Germans expected Russia to triumph. Overy quotes the American Secretary of War as predicting that "Germany will be thoroughly occupied in beating Russia for a minimum of a month and possible maximum of three months."

The true cost of Russia's war cannot really be comprehended. The figures are almost incomprehensible - here are a few to illustrate the point. "Stalingrad cost the lives of 470,000 soldiers and airmen. The battle of Kursk was won at a cost of only 70,000 dead." Kursk was the largest tank battle of the war - 600 German tanks faced 850 Soviet ones. Half a million Soviet civilians died from bombing raids during the war - ten times the number that died in the London Blitz. In probably the worst siege of the war, that of Leningrad, Overy estimates that over a third - more than a million people - of the pre-war population died.

While this is an excellent history of the war, it is essentially a military history - the background chapters were Overy deals with the Russian Revolution and civil war are much weaker, particularly his peculiar way of examining Trotsky simply as a military hero, who simply "lost interest" in military matters once the civil war was won. This isn't surprising. Trotsky was a revolutionary leader, not a military general. His leadership of the Red Army was based on the need to defend the revolution, rather than a particular desire for military glory. These small criticisms aside, read this book to understand where the cold war came from and to try and comprehend the cost of the greatest military clash of history.

Fred Pearce - When the Rivers Run Dry - What happens when our water runs out?

There is a great irony that we live on a planet which is two thirds covered in water, yet millions of people around the globe live in areas of water shortage, or areas where the water isn't safe to drink.

New Scientist writer Fred Pearce looks at the reasons why water has become such a limited resource - there are many reasons - climate change has played its part, but more often than not, human changes have caused the problems. In many areas of the world - in particular places in the Middle East, though the US and China are great culprits to, people are using ancient underground acquifiers. These fossil reservoirs of water take thousands of years to fill, but are being emptied at a rate far faster then they are replenished.

Pearce demonstrates how sometimes our irrational use of water - to keep the fountains running in desert cities for instance - leads to these shortages. But he also illustrates how attempts to store water have often led to problems. He describes the mania for dams to produce hydro-power and store water for future use, has surprisingly caused more problems then they have solved, being the source of flooding, pollution and destruction of ecological areas. There is the insanity of huge reservoirs in the desert, water evaporating into the air while downstream people die of thirst.

This isn't a cheerful book. Pearce offers us a glimpse of a future were millions of people suffer from drought and water shortages. But he does show how a different approach could solve many problems. He challenges the idea of big engineering problems as the solution, and shows how localised projects across the world could solve many of the problems associated with wate - in this sense the book is a hopeful one that does also offer a glimpse of a much better society - where human society is much more in balance with the rhythms and cycles of the natural world, in this case, the very ebb and flow of the rivers, streams and seas.

Peter Biskind - Easy Riders, Raging Bulls (*)

The 1970s was an important era of transition for Hollywood. It marked the time when the blockbuster summer film came to the for, making the major film companies rich beyond anyones imagination. It marked a brief time, when Film Directors were gods, commanding huge amounts of cash and ruling, dictatorially over actors, film crew and even the movie companies themselves.

Inspired in part by the radical years of the late 1960s, but more often, inspired by great European film makers whose own radical ideas led them to challenge film convention, a new breed of US director shook up the industry. This was a period when great films stunned viewers - Raging Bull, Apocalypse Now, The Godfather, American Graffiti and the first of the blockbusters, Jaws and Star Wars.

The men who made them, garnered fabulous wealth and Peter Biskind here looks at those directors. They are all larger than life, many of them seem to have severe character defects (or at least eccentricities), Biskind lets us eavesdrop on the gossip and stories of the time, tells us just how cocaine was the fuel for the entire industry, and shows how alcoholism was part and parcel of a film makers life.

Women do feature, though usually as the abused, ignored and hated spouses of these men. With the power and wealth of the directors came lots of sexual encounters - the myriad of affairs destroying many a Hollywood marriage.

If you like film, you'll probably love this book. Though the book has little on the films themselves, concentrating more on the processes that allowed their creation - the deals, the characters and the traumas (as well as the occasional over-budget disaster). It's an easy read and will probably mean you watching the movies with a slightly, perhaps more jaundiced eye.

Related Reviews

Biskind - Seeing is Believing

(*) Full title - Easy Riders, Raging Bulls, How the Sex 'n' Drugs 'n' Rock and Roll Generation saved Hollywood.

Dalton Trumbo - Johnny Got His Gun

Few novels can be as responsible for fundamentally changing the outlook of its readers as Dalton Trumbo's classic anti-war story, "Johnny Got His Gun". It is ironic that as fervent a reader as myself, with over 7 years of anti-war campaigning in the Stop the War Coalition here in the UK has never read it.

Written in 1938 as the clouds of war loomed above the world again, it's centred on young US soldier drafted to fight in the trenches of the First World War. The horrific reality of Joe Bonham's situation becomes clear as the story begins, he awakes to find himself without a face, arms or legs - though with perfect clarity of thought and feeling in the remaining parts of his body.

Joe begins years of a loneliness that we can hardly imagine. His carers don't know that he can think or understand his surroundings, so they clean and change him as regular as clockwork, while all Joe can do is remember his past, isolated from everything around him. No one even knows his name, so no friends or family visit, though Joe reflects that his lack of a face wouldn't be much to look upon anyway.

Time is measured by the hospital routine, Joe begins to have a purpose as he works out his surroundings by the vibrations of the bed and the touch of the different nurses, but a truely poignant and painful moment is when Joe learns to tell the dawn from the temperature on his skin... "if I never have anything else I will always have dawn and morning sunlight".

But inside him, rage at the world that has left him to suffer like this grows. In the introduction Trumbo tells us that a retired military man claimed that the work was a "pacifist" novel. This isn't true. The seering rage and anger at the heart of the story, the blood spitting angry climax is nothing less than a call to revolution, to turn the gun onto those who would make war, and send young men to die and suffer.

By a strange coincidence I read this through the night as most of the world waited to see whether Barack Obama would win the US election. When I heard that he was the new president, my first thought was that I hoped he had read this novel as he prepared to take over US foreign policy. Even if he has, its time a new generation of people read it - just in case.