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Alone on an Island

April 9, 2024

You’d be surprised by how often all I want to read is a Robinsonade–and by how rarely I really enjoy one. Like, I’ve tried writing people surviving in the wilderness with limited resources, and it’s not that hard.

I don’t think W.H.G. Kingston, author of Alone on an Island, found it hard either–he seems to have written several and also taken credit for his wife’s translation of some of Jules Verne’s. Unfortunately his ease with the subject did not, at least in this case, produce a satisfying book.

Harry Gurton is a nice boy with religious inclinations, which will no doubt be useful to him when he’s alone of his desert island. First, though, we have to get him here.

Let’s start by killing off his parents–unnamed diseases, within a few months of each other. Then let’s commission him as a midshipman on a privateer. Let’s provide him with a pocket-sized bible and a warning about the immorality of sailors (they swear a lot) both courtesy of his friendly local minister. With all that taken care of, we can send him to sea.

Now we must make the ship as uncomfortable ass possible. Everyone swears a lot. The officers are relentlessly awful to the sailors. The surgeon leaves the ship after a difference of opinion with some of the officers, and Harry is the only person willing to nurse the sailors when they get sick. His fellow midshipman threatens to destroy his pocket bible. Harry tries to be friendly to everyone, but relations between the officers and the crew get worse and worse. So: it’s mutiny time.

One of the sailors he nursed through an illness lashes him to a mast to get him out of the way. Then the crew murders the rest of the officers. Then they give Harry the choice of becoming a mutineer or being marooned on a nearby island. He chooses the latter, as he’s uncomfortable with the murdering and the swearing. So his sailor friend assembles the world’s most comprehensive care package and puts him ashore.

The one thing I really want from a Robinsonade is the mechanics of survival, in exhaustive detail. How is the protagonist starting a fire? Building shelter? What do they eat? Are they identifying plants? Are they making tools to hunt with? I want to know everything. There should also be elements of struggle–to gather building materials, to search for a missing companion, to familiarize themselves with the collection of legal tomes that was washed ashore in a packing case. Whatever. Those being my priorities, reading Alone on an Island was a frustrating experience.

Harry has it too easy. He’s got guns and fishing equipment, tent canvas, vegetabl seeds and saucepans. He’s got several months’ worth of salt beef and pork. He’s happy to find eggs, not because he needs the food, but because they’ll be “a pleasant addition to his larder.” At some point he thinks to himself that he’d like a cup of tea, so he looks through his stuff and finds that his sailor friend has given him a big bag of tea and another of cocoa. There’s just something about about being able to make hot chocolate on a desert island that suggests Kingston is missing the point. Want to know how this lone fifteen-year-old builds a house? Well, so do I. All we get is “He began putting up his house. [Three sentences about hunting and fishing.] [Three sentences about the garden.] He had now got up his house.”

There are tantalizing glimpses of the kind of detail I want. Harry’s first effort at cooking fails, and he learns that it’s better to boil his salt beef than to roast it. He knows it’s going to be hard to grow things in the sandy soil, so he burns the weeds he’s pulled and uses the ashes as fertilizer. Gathering salt is a little difficult, but eventually he has enough to let him preserve some fish he’s caught. It’s easier to dry or smoke fish, but he prefers the salted fish. I think Kingston was capable of writing the kind of book I wanted. The real problem here is that he’s moving too fast.

Harry establishes himself with little effort and a fair amount of prayer, and then we skip forward three years to another shipwreck, which brings Harry’s sailor friend to live on the island with him. Then, after some bible-reading, we skip forward another couple of years, and the pair is rescued. The sailor becomes a missionary, Harry gets a job, the end. This is a really short book, and it feels like Kingston managed that by cutting out most of the parts I wanted to read.

So, here’s my verdict: Alone on an Island isn’t terrible, but it left my Robinsonade itch unscratched. I’ll try to report back with something more successful.

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The Brightener

December 14, 2023

I’ve been going back and forth on whether to post about The Brightener. On one hand, this might be the wildest thing my pals A.M. and C.N. Williamson ever wrote. On the other, the fun will consist of recounting the plot in detail, and I usually try to avoid doing that. Still, I can’t not tell you about this book. One friend I told about it said, “I’ve been worrying about the plot of my book, but actually you can do anything.” Another said, “People really knew about PLOTS then.” My no-spoiler synopsis is: everything happens.

So, if you’d rather be surprised–repeatedly–stop here and go read the book. If you’re not worried about spoilers, sit down. Stay a while. I’m about to recap the first quarter of the book in absolutely bonkers detail.

First of all, there’s a princess. She was Elizabeth Courtenaye, but her grandmother married her off to an Italian prince who very promptly died. This is a favorite gambit of the Williamsons, who love a virgin with the rights of a widow. The grandma promptly dies, too, and Elizabeth is left with nothing but a title, a beautiful and historic estate in Devonshire, and her exceedingly good looks. Oh, and an enemy: a distant American cousin who used to be a cowboy and has red hair and black eyebrows.

On the advice of her lawyer’s wife, Elizabeth rents the estate to the cousin and becomes a “brightener”–a sort of professional society problem solver who can use her title and unimpeachably blue blood for the benefit of her clients–nouveaux riches trying to break into society, or American millionaires trying to marry members of it. Roger Fane is the latter, and he’s in love with Elizabeth’s friend Lady Shelagh Leigh. Her guardians don’t like him, so Elizabeth helps him organize a yacht trip that’s intended to soften them up.

Things take a turn for the weird almost immediately. An object floating in the sea near them turns out to be neither bird nor plane nor shark, but a coffin. They bring it on board, where it will hang out in Roger’s bathroom and make everyone super uncomfortable until they can hand it over to the authorities at the next port. The atmosphere is strained, and Elizabeth is pleased to be able to escape to her stateroom at the end of the day. That is, she would be pleased, if the room didn’t reek of brandy and there wasn’t a stranger in her bed.

On closer examination, Elizabeth recognizes the stranger as the German spy who tried to burn her house down a couple of years ago. I haven’t mentioned this incident because it’s not actually relevant. Linda the former German spy is here because she’s Roger’s wife who faked her death in a train crash years ago, and now that he’s a millionaire she’d like to come back to life and scotch his romance with Shelagh. So Elizabeth goes to find Roger, all, “Hey, awkward thing, your dead wife is in my cabin,” and then Linda the spy pops up behind her and says, “Not anymore, I’m not!” and Elizabeth throws up her hands and leaves them to it. After a while Roger shows up at Elizabeth’s door and he’s like, “So, super awkward thing: my dead wife is in my cabin and this time she’s actually dead.” Linda the spy has poisoned herself and framed Roger for her death.

Scandal and a murder charge seem inevitable, but then Elizabeth has a bright idea: why not put this inconvenient dead body in that very convenient coffin? Whoever’s in there can be thrown into the sea, and if they’re found, no one will think they have anything to do with Roger & Co., because they don’t. So Roger goes away to swap the corpses, but soon he’s back at Elizabeth’s door, because he needs to show her what was in the coffin. It’s not a corpse at all–it’s a pile of heirlooms that were stolen from Elizabeth’s estate. People suspected Elizabeth of stealing the things herself, for the insurance money, but having them show up in an unattended coffin enables her to instantly deduce who was really responsible.

Roger successfully disposes of his wife’s corpse and gets engaged to Shelagh, and as soon as the yacht trip is over, Elizabeth takes her heirlooms off to Devonshire to confront the thieves. This is, for various reasons, a bad idea, and Elizabeth lands herself in a scrape from which she has to be rescued by the cowboy cousin, who maybe isn’t so bad after all. Then she goes on to have several more adventures that strive to be as wild as this one, and almost manage it. I don’t know what else to say–or rather, if I try to say more I’ll end up recounting the rest of the plot. In sum: I recommend this book.

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The Heather-Moon

November 17, 2023

So, hey. Remember me? Remember my favorite married co-writers Alice and Charlie Williamson? We’re back, with The Heather-Moon.

If you don’t remember, Charles Norris Williamson was an early motoring journalist, and he and his wife Alice Muriel wrote a number of novels together. About half of them were about attractive young people sightseeing in motorcars and falling in love with each other. Knowing this about them is more than usually important.

But first, our heroine: her name is Barribel MacDonald, she has a lot of very red hair, and she’s been brought up in seclusion by a strict grandmother. Barrie thinks her mother is dead, but when she finds out that she only ran away to be an actress, Barrie decides to run away, too, and meet her. She almost immediately runs into Ian Somerled, a very nice painter/architect/millionaire who knows that Barrie’s mother is the famous Barbara Ballantree MacDonald, or “Mrs. Bal,” and suspects that lady won’t be pleased to have a beautiful grown-up daughter on her hands.

Somerled brings Barrie to the house of his friend Mrs. Aline West, a famous author who co-writes novels with her brother, Basil Norman. They’re about to set off on a motor tour of Scotland in Somerled’s car, gathering material for their next book. Sound familiar? Aline is in love with Somerled–or whatever passes for love among villainesses–and dismayed to find that he expects to bring Barrie along on their tour–at least until they get to Edinburgh, where Mrs. Bal is starring in a new play.

Barrie and Somerled enthuse over Carlyle and Burns and fairies together, and fall in love. Aline and Basil fight over their book because Basil wants to make Barrie the heroine and also he writes all their best bits, but Aline is the boss of him–at which point I started asking, “Alice Williamson, what are you doing?”

I never got an answer, but I don’t mind, because this is classic Williamsons and I really do enjoy them. If you enjoyed Set in Silver you’ll enjoy this, too–it’s approximately the same book.

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The Bronze Hand

May 22, 2020

Look, I’d love to be reading more. I feel like I should be reading more. But my brain mostly wants to a) cudgel itself into doing some work, and b) play increasingly arcane games of solitaire. Sometimes, though, what it wants to do most is: not sleep. One night last week I gave up on sleep around 3 a.m. and looked around for a book. What I found was a very battered copy of The Bronze Hand, by Carolyn Wells. Read the rest of this entry »

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Our Miss York

April 9, 2020

611Id3BMbwL._SY679_I think what we all need during this frankly awful time is, yes, another book from the teens about a young woman earning a living. Happy ending a must.

I can’t find out much about Edwin Bateman Morris, but he has an intriguing list of titles, and he was apparently considered worthy of Coles Phillips cover art. And while Our Miss York didn’t wow me, it has a lot of great elements.

Margaret York is an orphan, reluctantly adopted by an uncle who has no patience for children, and less money than he once did. She grows up industrious and efficient, in contrast to her friend David Bruce, who has a moderate income and drifts from hobby to hobby without ever settling down to work at anything. When Margaret’s uncle dies, she takes a stenography course and goes to work at the Waring Company. She learns the business as thoroughly as she can, and draws the attention of Willis Potter, the director, who gives her advice and steers her towards new opportunities–though whether for her benefit or his own, it’s not always clear.

Margaret does well–has some adventures, reconnects with her childhood friend David, makes friends with an older businesswoman–but, as books like this too often do, Our Miss York narrows down to the old business or family question, and the answer is a little too much of a foregone conclusion. Also, I would have liked to see Morris tie together and follow through on threads that he only casts in the same direction, like how Margaret’s upbringing–or lack of it–influences her. But it’s hard to complain about a book full of people being good at things, where the heroine gets to have both personal and professional success, and also pilot a motorboat. I don’t love Our Miss York, but I do recommend it.

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Dora’s Housekeeping

March 30, 2020

What we all need in the middle of a pandemic–if we have the time/energy/attention span–is some light reading. I’ll try to find some for you soon, but for now: Dora’s Housekeeping, by Elizabeth Stansbury Kirkland, is very dull.

You know how Ten Dollars Enough can drag a little when there are too many recipes in a row? Dora’s Housekeeping never stops dragging. I recommending getting your cookbook-in-novel’s-clothing fix elsewhere.

Oh, you want to know what it’s about? Well, Dora Greenwood is a fifteen-year-old schoolgirl with four younger siblings. Her mother is sent abroad to recover from an illness, and Dora takes over as housekeeper. She’s got a helpful aunt and cousin next door, but she has trouble finding and keeping a good cook, and she still has to go to school.

I liked that Dora has the capacity to be a bit of a brat–sure, you’re definitely the person most affected by your servant’s mother’s illness–and that her father is a little finicky and not always as nice as one would wish. But Kirkland really looks down on the servants, and there’s too many recipes to too little story.

This is a sort of a sequel to Six Little Cooks; or, Aunt Jane’s Cooking Class, in which Dora’s helpful aunt teaches Dora’s cousins to cook. I think I won’t read it.

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The Blue Envelope

March 13, 2020

Is a book ever as good all the way through, especially when there’s a romantic climax to get through and authors can’t be depended on not to forget what their characters are actually like, or pretend that actually it was love at first sight? Sophie Kerr, author of The Blue Envelope (not to be confused with The Blue Envelope by Roy Snell), isn’t much more dependable in that way than the average author, but she built up so much good will in the first half of the book that I wasn’t really disappointed. Read the rest of this entry »

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Gladiola Murphy

February 28, 2020

Gladiola Murphy is an interesting book. The things it does, it does well, but some of them would be better not done at all. The author is Ruth Sawyer, who also wrote the Newbery Medal-winning Roller Skates. This is about a child too, in the early parts, but it’s not for children.

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Support

February 24, 2020

Well, I continue to be extremely me: I really wish Margaret Ashmun had spent more of Support on the business venture Constance Moffat embarks on at least two thirds of the way into the book. Other than that, it’s a good divorce novel, it kept me guessing, and the ending is satisfying. Read the rest of this entry »

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The Snowshoe Trail

February 14, 2020

I do love a good survival book, but The Snowshoe Trail, by Edison Marshall, isn’t one. It is, however, a) racist as fuck, b) action-packed, and c) substantially too long.

Bill Bronson is a fur trapper in, I think, present-day British Columbia. He’s hoping to someday find his father’s gold mine, and also take revenge on the man who killed his father and made off with the loose gold.

Virginia Tremont is a young woman from an unspecified US city. She and her guardian, Kenly Lounsbury, hire Bill to help them look for Harold Lounsbury, Kenly’s nephew and Virginia’s fiance. He disappeared after coming to this part of the world six years ago, so there’s not much hope, but Virginia hasn’t given up. Kenly Lounsbury’s motives are less clear. He’s financing the expedition, but it’s hard to imagine him caring about anything but his own consequence and comfort.

Bill falls in love with Virginia at first sight, but keeps it to himself. It’s pretty obvious that he approves of her sense and spirit, though, especially when the only others with them are the whiny Lounsbury, and the shifty cook, Vosper. Virginia appreciates Bill, too, and her steadfastness and appreciation of nature create a friendly bond between them.

Winter seems to be arriving in the mountains a little bit early, but they’re doing okay. And then disaster strikes–well, the first disaster, anyway. Bill and Virginia (brave, trying to do things) get swept into a river, while Lounsbury and Vosper (cowardly, lazy) hang back and watch. Bill (superhumanly, and not for the last time) manages to get himself and Virginia to the opposite shore, somewhere downstream. The other two pack up as soon as is seemly, leaving behind everything they don’t feel like carrying, and head back to civilization.

Bill and Virginia have ended up near one of the cabins that Bill maintains, and it’s well-stocked with supplies. The two of them have similar tastes, and with food, shelter, a stove and a phonograph, they get along pretty well. Bill teaches Virginia to shoot and snowshoe, she spontaneously learns to cook, and they wait for the river to freeze over.

And then–yes. Bill finds Harold Lounsbury. He’s fine. He didn’t go home because he didn’t care to. He’s an alcoholic, and he’s living with a native woman who seems to be largely without agency. The depiction of the First Nations people in this book is really, really bad, folks. Worth steering clear of the book for. The only part of Harold’s living arrangements that Edison Marshall doesn’t seem to disapprove of is the power imbalance.

Bill promised to bring Harold to Virginia, so he does, but none of the three are all that happy with the arrangement. Then: a food shortage. A bear attack. Bill goes blind. Harold hatches a plot with his native pals. Virginia gets shot. It’s exhausting. I kept thinking the book was over, and it wasn’t.

We do finally get an ending, and it’s fine, but by that time I didn’t care anymore. I think there are reasons you might want to read this book, but I can no longer remember them.

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Cordelia the Magnificent

February 6, 2020

Do you love blackmail? If you do, I have just the story for you. But I don’t, particularly.

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Rope

January 30, 2020

Do you ever read a book and wish the author just cared a little bit more about the things you cared about? Rope, by Holworthy Hall, sounded perfect for me, and it could have been, with a slightly different emphasis. As it is, it’s pretty great.

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The Queen of Farrandale

January 29, 2020

I’ve got a couple of fun reads lined up, and the first one is The Queen of Farrandale, by Clara Louise Burnham. Sometimes browsing the “Older women — Fiction” category on Project Gutenberg pays off.

Read the rest of this entry »

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The Strange Countess

January 17, 2020

What is there to say about an Edgar Wallace thriller, really? They’re all good in the way his books are good and bad in the way his books are bad.

The Strange Countess focuses on Lois Margaritta Reddle, who is about to leave the lawyer’s office where she works to become secretary to the Countess of Moron. She also has a young man who follows her around–she assumes he’s angling for an introduction–and a mother in prison, although she doesn’t know that until a few chapters in. Someone keeps making attempts on Lois’ life, and the countess and her friend Chauncey Praye are definitely up to no good. The young man turns out to be a detective, who’s interest in Lois isn’t romantic–at first. Then there’s the countess’ son Selwyn, who isn’t as stupid as people think, and Lois’ roommate Lizzy Smith. They remind me a bit of Dolph and Hannah in Georgette Heyer’s Cotillion.

What else do you need to know? Someone shoots a couple of dogs, but offstage, so to speak.

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The Shuttle

January 13, 2020

I’ve been meaning to read Frances Hodgson Burnett’s The Shuttle for years, but somehow never managed to get there until I got a very compelling email about it from RQ reader Franziska. Yes, I knew it was about an American heiress marrying a titled Englishman, but did I know it featured a competent young woman restoring a crumbling estate, or an abusive husband being defied and punished? I couldn’t have, or I would have read it ages ago. Read the rest of this entry »