Friday, November 21, 2008

Delta Goodrem

Watch more Yahoo! Video videos on AOL Video



I'm too tired to say more right now, but this has something to do with my new j-o-b. Yeah, that's how I discovered the Aussie pop star, who's trying to break into the US market with her new single, for which this is the US version video. It ain't exactly my type of music, but I'm able to appreciate nonetheless, and my verdict is: Jessica and Brittney are about to get a run for their money.

What's it got to do with my new job? I'm working for a cell phone distributor and I've spent the last three days loading this video onto new Blackberries (then I have to check and make sure it plays! ;-) as a complimentary demo, to be sold all over the US this holiday season! Ha!Ha! Tough labor!

Y'all have a great weekend!

(I'll be workin' ;-p)

Monday, November 17, 2008

A New Group Blog



CONTEMPLATION in Connection is the new group blog hosted by Fancy Sweden. Above is the picture she has suggested for an avatar, cool hands in connection(I'll bet they're not so cool where they touch! ;-p), and here's a little bit of what she says under Simple Rules:


"Contribute fun, short posts where you can include music,
pictures or text. Be aware that for some of us (like me)
English is the second language - please explain simply
what you’re telling us. You can post a question - funny story
or something from your daily/night life."


Sounds pretty wide open to me. No telling what we're likely to see over there. Of course, contributors must be invited to participate, and here's who she's got lined up so far:




A very interesting and diverse group, I sez. New posts go up every Tuesday(that's tomorrow on this side of the world ;-), so hop on over, check us out. Comments are open so let us know what you think. That's what it's all about.

Thursday, November 13, 2008

A New Painting



A while back when I gave the "studio tour," you may recall I showed these as the first two in a step-by-step series that I promised to post entirely when finished. It is and here they are - and then some.
First, of course, the charcoal sketch to the left; step two I replace the charcoal with a Mars Red wash, kinda blocking in the basic shapes. This stage is really fun 'cause you can be as sloppy or neat as you want, as it'll all be covered anyway. Well, it's as useful as it is fun, since that freedom enables you to try stuff and make mistakes that are easily corrected in subsequent layers.
Next I lay in some of the darker darks, so I'll have proper contrast to guage the brightness of the sky. That's a technique I learned from a book by Foster Caddell, 50 Keys to Successful Landscapes, I believe it was. Out of print last time I checked.
My mixture for the dark is Burnt Sienna and Ultramarine Blue(and a little Phthalo Grn. to hint at the local color), practically a standard for me for landscape shadows, since it's so versatile; if your shadow is warm, the brnt. sienna dominates-if cool, the ultramarine. I was going for slightly warm for the top and cooler at the bottom, although the reproduction here may not show that. Why warmer at the top and cooler at the bottom? Gregg Kreutz, a student of David Laffel(one of the greatest Classical painters of our time) makes a very interesting point in his analysis of the Impressionists as to their color theory, which holds that shadows are cool-period. Kreutz hypothesises that this may be due to the fact that so many of the Impressionists were outside painting most of the time, where many shadows do appear somewhat bluish. Because of reflected light from the sky. So if your shadow isn't in a position to catch reflections from that blue sky, Kreutz says, it's likely to be quite warm. I use this 'cause I've found it to be true. I had a devil of a time trying to make all shadows cool and bluish before 'cause they often just didn't look "right." Then I took Gregg's advice - problem solved. A lot of times warming a shadow up will make it 'go back' when the cool blue isn't working.
So, in this case, I reasoned: the upper canopy won't be catching the blue sky, but the undergrowth would. Subtle difference, you probably can't tell it here anyway, but that's how I paint.


Then, it's time for one of my favorite things to do: paint a clear blue sky. The sky sets the key - in both value and color - for the whole painting, so I'm justified in taking my time with this part(which I would anyway, so it's just as well.)
Phthalo Blue and Titanium White is basically it for the sky color. A humid, clear day with high sun, so as bright as can be. . .


. . . but that didn't suit me. The first passage didn't cover well enough, and wasn't quite greenish enough to suggest humidity, so I added a wee dab of Cadmium Yellow Light to my original blue and white - more toward the horizon, less higher up - and glazed(or scumbled, I'm not sure of the exact difference)that over the first pass. Again, the difference is subtle and I'm not sure it translates well to this format, but that's the glazed version below.



Not good enough. (No, I'm not just making up excuses to keep on playing in the blue. It really wasn't good enough.) This time I mixed a thicker, more opaque batch and just painted the whole thing over - twice(hee!hee!). Finally got it to suit me.

Then to the background. Slightly bluish underpainting because of aerial perspective,


and then my first attempt at finishing the background trees; Phthalo grn. subdued with brnt. sienna, a little yellow, cooled with ult. blue.


I forgot to put sky holes in the larger background tree, so I did that and went on to the fallow field, basically a flesh tone of brnt. sienna and wht., with a little touch of Alizarin Crimson to make it "lay down," plus dabs of yellow in the "nearer" part to bring it "closer."

Too green and blue in the background, so I darked it all in again. . .

. . . and did it over, and the larger tree this time.
In between this stage and the next I realized I had painted over the durn sky holes that I let hold me up before, so I fixed that and went on to finish giving shape to the shade of the canopy.


Then dabbed some dappled light in the upper leaves, and went on to the undergrowth.


By now I'm really looking forward to the big foreground tree on the left; all textures and warm light and cool shadows(which worked in this case, in the darker parts).
But this is just my first pass at it, establishing the local color from which to variate; Brnt. Umber and a little Burnt sienna with lots of titanium white.

After much brushing and dabbing and scumbling and detailing with small and smaller brushes . . .


"Hidey Hole" 10x8"oil on canvas, finished Nov. 12, 2008.



-----------------
Some extras:


Mirror view w/chrome dome.


An angular shot I took just in case there was too much glare in the straightforward view.


This shows my set up pertaining to reference material. If I had sketches, they would be on the bulletin board(which is resting on one of my Stanrite easels), with the enlarged print I made for details. Both my scanner and printer do their own little color distortions that can drive one mad trying to edit in compensations, so I just go by the original photograph for color, which is clipped to the top of the easel, and used the enlargement strictly for details.




"Hidey-ho, good neighbor!"








Tuesday, November 11, 2008

A Mid Autumn Night's Daydream










































"I do my utmost to attain emptiness;
I hold firmly to stillness.
The myriad creatures all arise together
And I watch their return.
The teaming creatures
All return to their separate roots.
Returning to one's roots is known as stillness.
That is what is meant by returning to one's destiny.
Returning to one's destiny is known as the constant.
Knowledge of the constant is known as discernment.
Woe to him who willfully innovates
While ignorant of the constant,
But should one act from knowledge of the constant
One's action will lead to impartiality,
Impartiality to kingliness,
Kingliness to heaven,
Heaven to the way,
The way to perpetuity,
And to the end of one's days one will meet with no danger."


~Lao Tzu






Hey, I said it was a daydream, didn't I?






Second photo by MM.
Last photo by Jonathan Sharpe

Saturday, November 8, 2008

Goya


Great movie, sez I. Critics be damned. I absolutely avoid such creatures when it comes to making a choice, but sometimes I inadvertently become aware of a bit of their spewing. To wit: one of 'em said this movie lacked any real story, jumped around too much. You know, I bet the folks who had to live through the Spanish Inquisition, the French Revolution, kinda wished things were a little more easy to follow, too. It was a terribly chaotic set of circumstances to be caught up in, and the director of this movie did an excellent job in conveying this feeling by a seamless and expert employment of cinematic technique. When chaos and upheaval are properly expressed, the viewer experiences a bit of that. It can, and should be somewhat disorienting.
The only problem is, I'm thinking, the director assumes a higher level of intelligence in his viewers than what is commonly encountered in your average critic.
OK, enough of that. (although it was kinda fun!)
I was stunned by this movie. Sat back on the couch all the way through the credits 'til the main menu came back up, and still I just sat there, unable, it seemed, to return to . . . my simple, easy version of what I call life. At once disgusted to be 'human' and elated that I have the opportunity to do it now, instead of then. In spite of all that, there is actually a somewhat lighthearted undercurrent to this thing, as if the respect for reason, rationality, that helped us make so much progress in pulling ourselves up out of such muck as is seen here, is beginning to rear it's positive - even a little playful - thinking head.
I can't say more without giving stuff away, and that's one of the things I hate most about the critics: they blab too much.
Below, a very famous portrait by Goya, Senora Sabasa Garcia, who looks a lot, it turns out, (when she's decked out the same way, at least) like Natalie Portman. That's not who she plays, but the similarity is visually employed, I guess to strengthen the idea of Portman's character, Ines, as Goya's muse. Natalie's phenomenal in this. You won't believe it.


Well, they're all really good. The movie is great. Here's the trailer:



-
One of the most delightful scenes, for artists at least, is a sequence portraying the production of a print by manually pressed etching, from the preparation of the plate all the way to hanging the wet print up to dry. The picture above is what we see being made.
The one below seems like a good end piece, and besides, I just like it.





Finally, I want to offer the Wikipedia article on this flic, just for those who have already seen the movie, 'cause it's got all the spoilers. I only present it here because the writer's cut'n'dry rapid fire summation of just about everything that happens in this movie, cracks me up. Like somebody challenged him to tell this whole movie just as fast as he(or, in all fairness, she)could. Sorta reminds me of some book reports I heard in grade school. So, if you've already seen it or just don't mind the spoilers, that's HERE.

Friday, November 7, 2008

From my neighborhood to yours . . .

"Tree Neighborhood" 20x24" oil on canvas, 1985.
I know, "When will he ever stop posting old stuff?"
At least I think that, whether you do or not. I guess the answer is, "When I get done digging through the closet and finding old things I'd forgotten about."
Can't be much more.
Besides, this one fits the theme for today
Well, sorta.
Fits the title anyway.
-------------------------------------------------------


When I first started seeing these, just in the last year or so - everywhere - I thought it was just a local thing. Didn't know 'til I Googled it earlier today, Coffee News is world wide. 40 countries, I believe they said, so y'all probably got your own version that you've been seeing for a lot longer than I have this one, but there's a particular item I wanted to point out in this issue. I would really like to say that it's not indicative of intelligence levels overall in these parts--and maybe it's not--what the hell, I don't get out much. Take a look, see what you think. The part I wanted to call your attention to is circled under Did You Know, below.
And, by the way, if you click to enlarge these, the middle section with the text just fills the screen, easy to read.

The top story here boggles my mind.


How many of these do you know without looking it up? I thought I knew two, turned out to be one and I was only half right on that one. (which, I swear, is unusual. I normally ace this part! :-/)


(Upside down, below)


Here's what I really wanted to show you. Who knew he was that old!?


--------------------------------



Well, here's some evidence that, at least it's not just Texas. Got this in the email this morning. Apparently folks that work in offices have more time to piddle around than what I've seen in the blue collar world. Then again, it's probably just easier to get away with it if you're behind a door or surrounded by a cubicle. I'm sure that's it, 'cause I've seen, come to think of it, some pretty rediculous levels of f%&king off "out on the floor," when the boss ain't lookin'. (Note I said "I've seen," not "I've participated." ;-)

Anyhow, a string of office workers, who somehow end up knowing me, pass these things around pretty often, and everybody leaves their name on it. This one went from Mel to Yolanda to Jeff to Karin to Donna and finally to me.



A collection of anecdotes with a cautionary theme:

IDIOT SIGHTING :We had to have the garage door repaired. The Sears repairman told us that one of our problems was that we did not have a 'large' enough motor on the opener.. I thought for a minute, and said that we had the largest one Sears made at that time, a 1/2 horsepower. He shook his head and said, 'Lady, you need a 1/4 horsepower.' I responded that 1/2 was larger than 1/4. He said,'NO, it's not! Four is larger than two!..'
We haven't used Sears repair since.


IDIOT SIGHTING: My daughter and I went through the McDonald's take-out window and I gave the clerk a $5 bill. Our total was $4.25, so I also handed her a quarter. She said, 'you gave me too much money.' I said, 'Yes I know, but this way you can just give me a dollar bill back.' She sighed and went to get the manager who asked me to repeat my request. I did so, and he handed me back the quarter, and said 'We're! sorry but they could not do that kind of thing.' The clerk then proceeded to give me back $1 and 75 cents in change.
Do not confuse the clerks at McD's.

IDIOT SIGHTING :I live in a semi rural area. We recently had a new neighbor call the local township administrative office to request the removal of the DEER CROSSING sign on our road. The reason: 'Too many deer are being hit by cars out here! I don't think this is a good place for them to be crossing anymore.'
>From Kingman, KS

IDIOT SIGHTING IN FOOD SERVICE :My daughter went to a local Taco Bell and ordered a taco. She asked the person behind the counter for 'minimal lettuce.' He said he was sorry, but they only had iceburg lettuce. From Kansas City

IDIOT SIGHTING :I was at the airport, checking in at the gate when an airport employee asked, 'Has anyone put anything in your baggage without your knowledge?' To which I replied, 'If it was without my knowledge, how would I know?' He smiled knowingly and nodded, 'That's why we ask.'
Happened at airport in Birmingham, AL


IDIOT SIGHTING :The stoplight on the corner buzzes when it's safe to cross the street. I was crossing with an intellectually challenged coworker of mine. She asked if I knew what the buzzer was for. I explained that it signals blind people when the light is red. Appalled, she responded, 'What on earth are blind people doing driving?!' She was a probation officer in Wichita, KS


IDIOT SIGHTING :At a good-bye luncheon for an old and dear coworker. She was leaving the company due to 'downsizing.' Our manager commented cheerfully, 'This is fun. We should do this more often.' Not another word was spoken. We all just looked at each other with that deer-in-the-headlights stare. This was a lunch at Texas Instruments.


IDIOT SIGHTING :I work with an individual who plugged her power strip back into itself and for the sake of her life, couldn't understand why her system would not turn on. A deputy with the Dallas County Sheriffs office, no less.


IDIOT SIGHTING :When my husband and I arrived at an automobile dealership to pick up our car, we were told the keys had been locked in it. We went to the service department and found a mechanic working feverishly to unlock the drivers side door. As I watched from the passenger side, I instinctively tried the door handle and discovered that it was unlocked. 'Hey,' I announced to the technician, 'its open!' His reply, 'I know. I already got that side.' This was at the Ford dealership in Canton , Mississippi

STAY ALERT!
They walk among us... and the scary part is that they VOTE and they REPRODUCE!
--------------------------------------------------------------------------------
Happy Freakin' Fridy, Y'all!


Tuesday, November 4, 2008

Google yourself . . . ?

~I took up the tag from Pixie at SylphNascency, who gave it freely and without obligation, as I will do here. You're all tagged and totally free to follow through or not. (you knew that, didn't ya?)
The rules are thus: Google (or whatever your searcher; it's just fun to say 'Google') your answer to each of these fourteen questions--about yourself. Find a picture on the first page of results and post it as your answer to the question. I actually found it a tad enlightening. Here goes . . . (Clue: if you click to enlarge the pictures, the answer is in the i.d.)


1.Your age on your next birthday: (heh,heh,heh...which no. is it...?)

2.Place you'd like to travel to:


3.Your favorite place:



4.Your favorite food:

5.Your favorite pet:

6.Favorite color combo:

7.Fave piece of clothing:


8.Favorite movie:

9.Town where you live:

10.Your first job:

11.Your dream job:


12.A bad habit:

13.Your worst fear:

14.Something you want to do before you die:


----------------------




An excuse to search for images is fun time for me; I went a bit overboard with the exercise above, ended up with some 'extra' pics that I do not want to waste, so here they are in the same order as the list:




1.It's, uh, the smaller of the two numbers . . .


1.Another for "...next birthday." Some groovy astro-photography. And if the numbers don't tell you my age, that language should give a good clue. ;-)


3.In the sun . . .


4.Kung pao chicken


4.Sezchuan cuisine (any Chinese really. Asian, for that matter)


5.Your favorite pet . . .

. . . two really beautiful images that came up. I think I know the artists' names but I ain't sure and they weren't given where I found these . . . aaaahhh!!! I'll edit them in later. :^){Ah!Ha! The ol' brain ain't totally crapped out. It's like I always say: I'm not losin' it, my mind's just so full, it takes longer to... sort through the files than it used to! So, I remembered the artists' names, and before I got to the publishing point, so I won't have to come back and edit them in. OK, yay me. Above, if I'm not mistaken, is by Larry Elmore--no wait! The longer I look at it the more I think it's by the Bros. Hildebrandt. Uhhh...ok, so I am losin' it. I'll check it out and confirm. Below, I know, on my bottom dollar, is a Jeff Easley. Rrrrrr! I guess I better go check that out, too!}



6.Ayyy!! Blue&brown! I know, this looks more like blue&blonde, but in terms of true color, there is some brown in there, and I's just enchanted by those beautiful blues. Interesting article HERE about that.


8.I had a hard time deciding between the 1933 or 2005 versions, and I'm still not sure I have the right one on the 'actual' list . . .

9.We do have some jokers hereabouts, the caption for this being, "Bird flu in Garland, TX"

9.Now, I haven't run into this lady, but apparently she's around here somewhere . . .


10.I was born after the Industrial Revolution, however, I still hold a grudge ;-p


10.This looks a lot like one I worked in, but they made shoes . . .


10.That press looks eerily familiar . . .

10.Heh!Heh! Some of you may recognize this. No, I never "worked" at Alcatraz, but they did have a factory, pictured here, and some of the places I have worked . . .


10. This also came up under "Factory Work." Your guess is as good as mine.

11.At first I thought this would be my dream job, but if I'm really serious about it . . .

. . . this might be more like it . . .

11.Another for 'dream job.' (Monk, in case it's not clear yet) I love the way he appears to be so intently doing absolutely nothing. Professionally preoccupied . . .


11.I really, truly like this garb. (Sans crucifix, of course, as I would be a "secular monk")


11.I can only assume that the shorter of the two monoliths resembles a monk to the photographer. Beautiful picture, at any rate.


11.What can I say?! Monks invented the stuff!


11.And I swear, by all that's . . . secular or holy! This pic came up on a search for "secular monk." Inspires reverence, I sez . . . ;-p)

12.While beer is, imo, my main 'bad habit', if I could afford it ($65 a fifth!), this--This! Not any old whiskey, no other, just this--would be my preferred poison.

13.Worst fear is a hard thing to contemplate. First I thought 'humiliation', which this painting illustrates, but that didn't seem exactly...exact enough. So I finally settled on "suffering" in general. The picture I put on the 'official' list above, is of MRI's that apparently show the section of the brain involved in that experience.

14.One thing you want to do before you die: This is a good one for "Awaken", but not as good as the one I used above. This is beautiful, but suggests that 'enlightenment' comes from above, which I've come to suspect may be an unfortunate prejudice. And this one has a big ol' signature on it. Not as good.

14.A very happy image here, but not as profound as the one that made the list. Or is it . . .?

Thursday, October 30, 2008

Haunted Houses

HAUNTED HOUSES
All houses wherein men have lived and died
Are haunted houses. Through the open doors
The harmless phantoms on their errands glide,
With feet that make no sound upon the floors.

We meet them at the door-way, on the stair,
Along the passages they come and go,
Impalpable impressions on the air,
A sense of something moving to and fro.

There are more guests at table, than the hosts
Invited; the illuminated hall
Is thronged with quiet, inoffensive ghosts,
As silent as the pictures on the wall.

The stranger at my fireside cannot see
The forms I see, nor hear the sounds I hear;
He but perceives what is; while unto me
All that has been is visible and clear.

We have no title-deeds to house or lands;
Owners and occupants of earlier dates
From graves forgotten stretch their dusty hands,
And hold in mortmain still their old estates.

The spirit-world around this world of sense
Floats like an atmosphere, and everywhere
Wafts through these earthly mists and vapors dense
A vital breath of more ethereal air.

Our little lives are kept in equipoise
By opposite attractions and desires;
The struggle of the instinct that enjoys,
And the more noble instinct that aspires.

These perturbations, this perpetual jar
Of earthly wants and aspirations high,
Come from the influence of an unseen star,
An undiscovered planet in our sky.

And as the moon from some dark gate of cloud
Throws o'er the sea a floating bridge of light,
Across whose trembling planks our fancies crowd
Into the realm of mystery and night,--

So from the world of spirits there descends
A bridge of light, connecting it with this,
O'er whose unsteady floor, that sways and bends,
Wander our thoughts above the dark abyss.


~ Henry Wadsworth Longfellow








Top=an old sketch I dug out of the "mess" the other day.
Bottom=a painting I showed recently, but this is a better pic, imo. At least you can see the spatial planes in the trees. And I think it kinda fits the end of this poem, somewhat.

Tuesday, October 28, 2008

Found It!

Here's the front and back cover. Look at the bottom of the front here, you can see where I got it, in the "Special Interest" section.
This gal is a hoot! And the whole fam-dam-ily and friends. She's got the whole trailer park - and then some - swept up in her determination to . . . flap the unflappable "Art World." They won't budge and she ain't backin' down, clamped on to this task like a junkyard dog!
A subject of interest to me to begin with, I've rarely ever been as riveted by a documentary before. It's very well done and covers the whole story, from how she came upon the painting, through the art "experts" shakin' their heads, the forensics expert and all his tests, even her son the aspiring country music performer pickin' and singin' the song he wrote about it all.
Good fun. Very interesting. Well worth the rental fee, at least. Hell, I may buy a copy, so I can occasionally remind myself just how weird the world really can be. ;-)




-----------------------------------------------------------

I finally caught one of the migrating Robins, recreatin' at the moat. They seem to have less fear of humans than other birds, so I was able to pick up the camera (50mm lens; if that doesn't tell you how close I was, about 15ft.), and get a shot of this guy while he was watching me!




Saturday, October 25, 2008

Saturday afternoon . . .




I settled on that title, and that reminded me of this song. No, I wasn't there, but it's a good song, helps with the mood I's tryin' to set here.

----------
Riflin' through some of the 'mess' in my studio yesterday, looking for something entirely different, I came upon a couple of old scribbles, one inside a newsprint pad, the other on the cover of a notebook.


" . . . it's hard enough to live in a world where you grow old and die, why be disharmonious?"
~ Jack Duluoz




Makes sense to me. Harmony's exquisitely gracious.So here are a few of my recent attempts to...find the right place at the right time, and be there.

Rain or shine, it's there . . .
Although a polarizing lense would be helpful sometimes.






Don't know what these red berry lookin' things are, but it seems they really want to be seen, so I did my best to oblige.




I really like what the curb and footpath add to this one.





Of course, this being North Texas, it wasn't long 'til the sun popped back out, so I get to leave you with a sun drenched current visual of the pecan tree we planted Arbor Day. They grow very slowly, so it looks a lot like the last picture, but it's definitely hangin' in there.
Below is an earlier photo of the 'moat' I dug around the base to catch water, which my leaky water hose generously provides. You can tell it's earlier 'cause grass now hangs over from both sides. It looks almost natural now.
The neighborhood animals love this; squirrels, cats, and birds. Especially birds. As it's migratory time for some, the backyard is suddenly covered at times with different groups of birds, making a pit stop, I reckon. Wish I had a big zoom lens.

Water; now, there's harmony.

Tuesday, October 21, 2008

"Jackson Pollock.org"

I haven't seen the movie, but I did see Ms. Horton when she came on Letterman. It's a wild situation. In case you don't know, she bought the painting pictured above at a thrift shop, as a gag gift, for $5. Had no clue who Pollock was. The person she bought it for didn't want it, so Teri(MsHorton) put it in her yard sale. An art teacher saw it, told her it might be a Jackson Pollock. Her response to that information is where they got the title for the movie. Click the pic for the Wiki on it.

I think it's a damn fine movie poster, myself, and they say it's very effective in conveying the style and attitude of the movie. I'll have to let you know if I agree with that after I've seen the flic. Which the poster makes me want to do.

So there. I've given a critical opinion of the poster itself and therefore have broken no copyright laws by using it here.

Aaaaand, since it's here, I'll go ahead and let it serve to set the mood for what's next.


Somewhere, a while back, surfin' around I ran into this flash animation program presented by Miltos Manetas called "Jackson Pollock.org". When it's activated (which it is when you log on, just so ya know) all you gotta do is mouse over the blank page that comes up and voila! you've got Pollock's dribble & splatter technique at your fngertips. Left click and it changes colors. Like what you see, right click and you can print your work!

Which I did. Some. Here they are, chronologically presented:




It's way fun, especially if you start to get into it a bit.













Manetas' signature, which superimposes on the screen by hitting any key, giving us full permission to play, and attribution to his source.

There's a link to the site where you, too, can paint just like Jackson Pollock! ;-) in my sidebar, under Meditation and/or Art Sites, or you can go from HERE. Have fun!


My best yet, imo.

Lastly, just so ya know it ain't all program, that I have thought/painted this way before,
here's an old oil painting of mine from back in the late 70's, when I was trying to put into
practice what I thought I understood about abstract expressionism.
What it really amounted to was moving my hand faster than I could form conscious thoughts about what I was doing, the objective being to release and paint with the subconscious mind. Sounds like the Surrealist's objective to me, but that's what I thought the action painters were up to. Maybe I was dead wrong, but this kinda looks like what they were doing, no?

At any rate, before long I began to miss drawing -- I mean careful hand-eye coordination, like I've been practicing since I was 4 -- so I abandoned this pursuit.









Or, did I?. . .